The Birmingham Centre For Media and Cultural Research. Is made up of several research teams carrying out collaborative work aross a range of cultural interests. They required a new website that amalgamated the existing websites for these teams and acted as a hub for the research centre itself. Complementary themes were created for the individual sites to give them their own personality, as well as holding together a coherent design style throughout. HTML, CSS, JQuery, PHP.

Mdash; International Man of Miscellany. We need some noises to make it work. Preferably, sounds and samples donated by high profile music type people.

What can the field of entrepreneurship learn from studying cultural entrepreneurship? This is one of the questions being asked in a special issue of entitled Cultural Entrepreneurship for the International Journal of Entrepreneurship Venturing. Finishing my PhD and I Cant See the Wood for the Trees.

Supporting Investigative Journalism in the MENA region. Additionally, the MENA Investigative Fund. Is our programme independently funding new journalism in the region. Learn More about MENA Investigative Fund. Learn More about MENA Investigative Fund.

As the Culture Cloud project draws to its conclusion, the evaluation team are eager to gain as much feedback about the experience as possible from participants. The voter questionnaire can be found here. Thanks for your participation! July 31st, 2012. Thinking about online art and the space of the gallery.

These are ways of describing the kind of academic work that Hall is talking about. From a media and cultural studies perspective, which is where I am located within BCMCR. One way to think about approaching this is an observation from David Berry. The process below will take those four variables as a starting point an.

Creative Economy and Cultural Policy. History, Heritage and Archives. Interactive Cultures brings together academics from the Birmingham Centre For Media and Cultural Research who are actively involved in research aimed at understanding how communities are built through institutionalised media channels.